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garrandarang (2021)
Text light projection against wood
8:00 mins
AE production: Solomon Thomas
Commissioned for Eucalyptusdom, 2021, Powerhouse Ultimo – Museum of Applied Arts and Sciences
garrandarang (2021) installation view at Out of the Everywhen, Plimsoll Gallery, University of Tasmania, 2023. Photo by Rémi Chauvin.
garrandarang (2021) installation view at Out of the Everywhen, Plimsoll Gallery, University of Tasmania, 2023. Photo by Rémi Chauvin.
There is an ancient landscape beneath our feet. One full of care, of knowledge, of love and song. No colonial intervention can alter the truth of Country. This work is not a eulogy to the forests that should stand here, it is a reminder they still stand. As Australian forests dwindle, our eucalypts spread unwelcome offshore. Do our ancestors follow them, to continue a relationship older than time? In the face of climate disaster, how can we return to listening to our trees, caring for Country?
Garrandarang spreads out in a light projection within the footprint of a huge tree. Evoking tree rings, the text appears to challenge colonial assumptions of this place, and to remind audiences to fight for our forests. 
Lines of wood specimens and photographs in an exhibition. In the foreground a poem is projected in white light against wood.
Install image of garrandarang (2021) at Eucalyptusdom, Powerhouse Ultimo – Museum of Applied Arts and Sciences. Photograph by Zan Wimberly.
garrandarang (2021)
Text light projection against wood
8:00 mins
AE production: Solomon Thomas
Commissioned for Eucalyptusdom, 2021, Powerhouse Ultimo – Museum of Applied Arts and Sciences
garrandarang (2021) installation view at Out of the Everywhen, Plimsoll Gallery, University of Tasmania, 2023. Photo by Rémi Chauvin.
garrandarang (2021) installation view at Out of the Everywhen, Plimsoll Gallery, University of Tasmania, 2023. Photo by Rémi Chauvin.
There is an ancient landscape beneath our feet. One full of care, of knowledge, of love and song. No colonial intervention can alter the truth of Country. This work is not a eulogy to the forests that should stand here, it is a reminder they still stand. As Australian forests dwindle, our eucalypts spread unwelcome offshore. Do our ancestors follow them, to continue a relationship older than time? In the face of climate disaster, how can we return to listening to our trees, caring for Country?
Garrandarang spreads out in a light projection within the footprint of a huge tree. Evoking tree rings, the text appears to challenge colonial assumptions of this place, and to remind audiences to fight for our forests. 
Install image of garrandarang (2021) at Eucalyptusdom, Powerhouse Ultimo – Museum of Applied Arts and Sciences. Photograph by Zan Wimberly.